I was just yesterday chatting about my austere TV-watching habits with some lovely folks (you
know who you are), and noting how, since the writer's strike, I'm down to three regular shows,
Bones,
30 Rock, and the rotating Bravo show du jour
Project Runway/Top Design/Top Chef.
The strike broke my connection with a lot of shows, and I've never gone back. (Though
Heroes lost me slightly earlier than that for reasons related to writing, but not
the lack thereof.) Not that I didn't fill the void with more casual viewing relationships -- the original
CSI, doing the lather-rinse-repeat cycle on the Spike network;
Reba, watched when there was a
CSI repeat; the USA junk food that is
Monk and
Psyche; and for when I wanted to die a little bit on the inside, the VH-1 roster of
Celebrity Rehab and, worse,
Charm School.
But these are not shows I would record if I were not home to see them. They are shows I watch when I'm eating dinner. Cause I'm classy like that.
I know I could have been watching
Mad Men. I know I could have been renting
The Wire. But the writer's strike was also the best thing to happen to my own writing. To say nothing of my reading. (Books, you know, are the bomb.) So I did those things instead, and when it came time to hook back into those shows with which I have an emotional connection, there were only the select few that had any siren call left.
But come February 13th at 9 pm, I fear I shall have to add a fourth (FOURTH!) show to my list of regular shows: Joss Whedon's new series
Dollhouse on Fox.
Because my crush on Joss Whedon is not small.
It's not small at all.And if it displaces any of the VH-1 viewing I've been doing, the world will be a better place and I a better person.